#like I get being sad about it that's fine

[lazysoulwriter]

In the Quiet Moments - Drew Starkey.

She hadn’t realized how long it had been until she saw the calendar on the wall. Almost a month. A whole month since she’d felt Drew’s touch, heard his laughter echoing in her apartment, or seen the warmth in his eyes when he looked at her. The constant whirlwind of interviews, photo shoots, and events had swept him away, and she tried to convince herself she understood. His career was booming, and the attention he was getting was deserved—he worked so hard for it. But that didn’t make it any easier.

She sat on the couch, scrolling through her phone, but the truth weighed heavily on her heart. She was fine on the surface, managing work and life just as she always had, but underneath it all, there was this ache. A quiet loneliness that had crept in, something she hadn’t felt before when he was around. Drew had always been a constant—his presence, his voice, his smile. Now, it felt like he was slipping through her fingers, no matter how hard she tried to hold on.

She knew the game. She knew how it worked. Drew wasn’t the first person in her life to put their career first. But with him, it felt different. There was something unspoken between them, a bond that had never been just casual, even though they weren’t officially anything. Yet.

The pain of the distance between them didn’t come from lack of affection; it came from the lack of him. She missed the way he’d brush her hair from her face as they laughed about some silly thing, or how he’d reach for her hand during those quiet moments when they didn’t need to say anything at all.

Her phone buzzed with another notification, but she ignored it. The screen blurred as her thoughts wandered to him again. To Drew. She hadn’t heard from him in a few days—no surprise, given the hectic schedule he’d been navigating. But as much as she tried to bury the feeling, a part of her longed to hear his voice. To be in his arms. Just to know he was still there.

She took a deep breath, convincing herself she was being ridiculous. He had his reasons. She would wait. She could be patient.

But then, the sound of the doorbell rang out, sharp and unexpected.

Her heart skipped a beat.

She wasn’t expecting anyone, not at this hour. Hesitantly, she stood up, her feet carrying her to the door. She opened it without thinking twice, and there he was—Drew. Standing on her doorstep, his face softer than usual, eyes slightly downcast. He wore that familiar pouty face, the one he always did when he knew he’d messed up or let something slide. But now, it felt different. It was almost as if he was apologizing without saying a word.

She didn’t speak. She didn’t need to. She just moved aside, silently inviting him in. Drew stepped over the threshold, but neither of them said anything at first.

The silence in the room felt heavy, thick with all the things they hadn’t said, all the emotions they’d kept buried. Drew shifted, running a hand through his hair, his gaze lingering on the floor, not sure how to begin.

“I know I’ve been… distant,” Drew said, his voice low, but clear. He didn’t need to say more. She already knew. “I just… I got caught up in everything. And I know that’s not fair to you.”

She stayed quiet, watching him with a mix of sadness and understanding. She could see the way he was struggling with his words. He had never been good at expressing his feelings, but this time, it was different. She could tell.

He stepped closer, closing the gap between them, and when he reached for her hands, it felt like an unspoken plea. His fingers brushed against hers, his touch tentative at first, almost as if asking for permission.

“I love you,” he said, his voice stronger now, more certain. “I know I haven’t shown it the way I should have. And I’m sorry for that. But I love you. And I want to do better. I want to be better… for you. For us.”

His words hit her harder than she expected. Her throat tightened, and her heart swelled. She could feel the sincerity in his voice, but there was also the sting of the last month—the distance, the silence. She tried to swallow the lump in her throat, but it was hard.

“I love you too,” she whispered, barely audible. Her voice cracked, betraying the hurt she’d been trying to hide. “But I’m hurt, Drew. I needed you here. I needed us.”

Drew’s expression softened, and he took a step closer, his hand gently cupping her cheek. “I know. And I’m sorry,” he said again, his voice filled with regret. “Please… let me make it right. Let me take care of the hurt I’ve caused. I’ll do whatever it takes.”

Her breath hitched, and she closed her eyes for a moment, trying to steady herself. He was here. He was here, and that meant something. It meant he hadn’t given up on them, even if he’d been lost in his world for a while.

Without another word, she let herself be pulled into his arms. Drew wrapped his arms around her, holding her close, his warmth flooding through her. She could feel his heart beating against hers, the steady rhythm grounding her. They stood there in silence for a moment, just holding each other, as if they could undo all the hurt by being together again.

And then, Drew leaned in, his lips brushing gently against hers, soft at first, as if testing the waters. But she responded immediately, her arms winding around his neck, pulling him closer. The kiss deepened, becoming more urgent, more desperate, as if they were both trying to make up for the time lost.

It wasn’t just a kiss. It was a promise. A promise to love, to be there, to make things right. It was a kiss that spoke of longing, of everything they hadn’t been able to say until now.

When they finally pulled away, their foreheads resting together, Drew’s voice was low and full of emotion. “I’m not going anywhere,” he murmured. “I promise. We’ll figure this out. Together.”

And for the first time in what felt like forever, she believed him.

･῾ ᵎ⌇ ⁺◦ 💘 ✧.

[cosmosluckycharms]

Bug Like Angel

pt4

See you soon

hey guys warning this chapter literally has none of the batfam here its highlighting reader being insterted into itsv-atsv

It has been a year since you had gotten bitten.

You were now 14

Since then you've lost a couple of people.

Your Gwen Stacy, who was instead named [REDACTED], was killed while you were trying to stop the green goblin.

You lost an officer you were close to. He died while protecting a kid.

You lost someone you considered an uncle.

You were tired.

Since then you've been training yourself, secretly fighting crime to not be seen by your family, and getting stronger in general.

Every day was sortve the same. Wake up, get ready, go to school, come home, eat, fight crime, sleep, repeat.

It all changed one day.

You had just gotten back from patrol.

You stopped 3 muggings and saved a cat from a tree.It was a slow day, thankfully.

You were doing your homework peacefully.

You were almost done with your algebra homework when suddenly a portal popped up right next to you.

You couldn't process anything as the portal sucked you up and took you in.

The next thing you knew, you were stuck in an alternate universe with other versions of you.

And you had to get home soon ASAP no rocky if you didn't wanna die.

And that be all fine and dandy.

Except you didn't wanna get attached to anyone.

You didn't want them to exclude you and you to follow them around like a lost puppy like you did with your family.

And guess what?

You did get attached.

Peni, a small kid who was in a tiny robot fighting, was like a little sister to you.

Peter B. Parker, ham, and Noir were all like uncles to you.

gwen and Miles were your cool older siblings.

You loved them.

And you hated that.

Because you knew deep down, you wouldn't get to see each other again.

You all were destined to be apart, due to your separate universes.

You got attached.

You were attached to noir and how his coat smelled like cigarettes and milkshakes.

You were attached to Ham and how he always cracked jokes when things got tense and awkward.

You were attached to peter b and how he talked about his past experiences.

You got attached to Peni and how she would use stickers everywhere.

You got attached to Miles and how stupidly awkward he was with Gwen.

You got attached to Gwen and how she gave you the advice you always needed.

Fuck.

You didn't wanna go back to the manor.

This is the happiest you've been in a while.

This is home.

You can go on patrol here without worrying that your family might see you.

You are constantly smiling and laughing with the people here.

You're constantly wishing you could stay here forever.

Other than the constantly painful glitching, you're so happy and excited.

You never wanna leave.

You were so proud of Miles and how he got everyone home.

You cried as soon as you landed back in your room.

You sobbed into your pillow. You're gonna miss them.

No one even noticed you were gone for a week.

No one noticed how bruised up you were.

No one noticed how sad you looked.

It's been 5 months since then.

You got invited to join the Spider Society.

Miguel saw you on patrol trying to fight an anomaly and failing miserably due to you never fully getting actual training.

You were trying! It's just that you didn't want your family to see you so its sort of hard to control a whole glitching green goblin...

Miguel took you into the spider society.

You saw peter b in Miguel's office and immediately tackled him into a hug and cried a little.

You learned that due to being a mix of two multiverses (Marvel and DC) your canon events were a tiny bit messed up.

Miguel explained everything, but everything was going through one ear and out the other.

You wondered if the others were here too.

You wondered if they missed you like you missed them.

Miguel could see how spaced out you were.

"What's wrong, Mija?"

"Are the others here? Like Gwen, Miles, ham, noir, and Peni? I know Peter's here, I saw him just now, but what about the others?"

He went on to explain how they hadn't been invited yet.

Later on, you begged him to at least invite Peni.

He couldn't resist your puppy dog eyes, so he said yes.

Since being introduced into society, you've slowly started getting used to just doing everything here.

You would go into Miguel's office for hours and hours just to be around him.

He was like the father you always wanted!

He would listen to you complain about your family, and he would always lend a shoulder to cry on.

On multiple occasions, he had to carry you back to your bed in your universe because you'd fall asleep in his office on the floor.

You both have gotten close.

Miguel was your emergency contact, always there when you needed him. Despite his intimidating appearance to others, he was never scary to you.

At one point you saw Gwen again, finally!

You were so happy! one step closer to getting everyone together again!

Slowly, you saw everyone again.

..Everyone except Miles.

You didn't understand, why not Miles?

You asked Miguel and he went on a tangent that did not make sense and went through one ear and out the other.

You did get to meet Pavitr and Hobie.

Pavitr was your twin! You guys had similar personalities and had twin telepathy.

You both were around the same age and everything!

Hobie is SO COOL!

He taught you how to play your guitar! You were finally getting a hang of it!

He was like the older brother you never had!

You wanted to be like him so bad!

When he and Gwen jokingly said they wanted to start a band, you wanted to!

A couple of months later, you saw miles again!

It wasn't in the best circumstances.

You had just gotten back from school. You were in your room scrolling on your phone, when suddenly your spidey senses tingled.

You saw Gwen hop out of a portal in the middle of your room.

"Hey! I kinda sort of need your help."

"what's going on?" you asked, tilting your head in curiosity.

Gwen went on to explain everything you missed.

From Gwen seeing miles to Miles tagging along onto Mamhatten in pavers universe, and then to Miguel's body slamming him into a train and calling everyone to chase him.

Jeez, you don't go to the society for one day and everything goes to shit.

You thought about it for a second, no one would notice you not being here for a couple of days, right?

"..alright, I've saved the multiverse once, I can do it again."

You sat up on your bed and grabbed your suit.

You grabbed Gwen's arm as she took you to a whole other universe.

After a lot of fighting, you all managed to save Miles's dad.

Seeing their family be happy together made you tear up in happiness.

They deserved to be happy.

After a lot of apologies from all parties, everything was still pretty awkward.

You've probably apologized to Miles over a million times despite him insisting it wasn't your fault.

Sure, you didn't help the others chase him, but you still didn't tell him about society.

Hell, you should've been there to defend him.

You should yelled at Miguel from the beginning over him not letting Miles in his exclusive clubhouse.

Instead, you were scared Miguel was gonna bring you back to the manor and disown you, even if you knew he would never do that to you.

You should've stood by miles from the start.

It's never too late to make up for everything.

oml this was kinda boring but i needed filler lol

honestly i might write a oneshot of all the spiderkids together

taglist (please tell me if i forgot to tag you!):

@bath1lda @mariadvorak @coralaura @tsxukikami @hjgdhghoe @coffeeaddictxd @cxcilla

[judesmoonbeauty]

A Day With Jude Jazza: Chapter Five "22:00 - Moonlit Room"

Please expect grammatical errors and translation inaccuracies. This is a full translation. Creative liberties are taken for characterization and smoother translation process. Cybird owns everything. Re-blogs are appreciated, but please do not post my translation elsewhere. Thank you for your support! ☾.

Even though it's mildish spice this chapter, MDNI.

Kate: Nn-haaa.

Jude: Still not givin’ up?

Kate: N-No I won’t.

We were supposed to have dinner together, and fall asleep talking about trivial things, 

[Flashback]

Kate: I want to beat you at least at one thing, Jude.

My brief comment stoked his sadistic desires.

Jude: Then, wanna play a game? 

Kate: Huh?

He pushed me down onto the bed and straddled me with a twisted smile.

Jude: First one t’get impatient loses.

Jude: Do yer best, princess.

[Back to the present]

Kate: Haa-ahhh

He blew on tip of my breast as his fingertip slowly caressed its’ arc.

It makes my entire body tremble with pleasure, but the faint stimulation isn’t enough to make me climax.

After being teased repeatedly, I stretched my hands to retaliate,

Jude: Too easy. I won’t let ya do somethin’ cheeky.

But they were instantly pinned together above my head.

Jude: Seriously, such a stubborn woman.

Kate: Jude you’re such an awful guy!

Jude: Who’s the one who fell for that awful guy?

Kate: Right back at you!

I probably could've translated this as, "Say’s the one who fell for a stubborn woman!" Due to 「そっくりそのままお返しします」 being a response one says back to another person. For ex, Person A: You're late. Person B: Yeah, well you're always late. But, I chose to leave it as is.

Our tit for tat continues and I get criticized again.

He was the first who put an end to this stubborn rivalry.

Jude: …..Ridiculous.

Kate: What?

I was surprised that he released my hands, but he rose from the bed and put something around my neck.

Kate: A necklace…?

A glittering milky stone hung around my neck.

Jude: Givin’ that to ya.

Jude: Got it from a business meetin’ today, but yer probably the only one who’d use it.

While he pokes the stone with his finger and gazes listlessly out the window, I’m next to him, staring intently at the stone.

Kate: It’s beautiful….what’s the stone called?

Jude: …….Moonstone.

To him, the moon is the symbol of a promise.

(But it torments Jude like a curse.)

He moves ahead, suffering over a promise he wants to fulfill and the reality that he won’t achieve it.

The gift he gave me was a stone that bore the name of the moon.

Jude: Ain’t it fine, it seemed like ya.

I felt happy and a little sad as I squeezed the necklace tightly and laid my head on his chest.

Kate: Thank you, I’ll take good care of it.

(I hope the moon falls into Jude’s hands like this necklace.)

Until one day he fulfills his promise to go to the moon, this little moon will continue to shine around my neck.

He tenderly stroked my head, and as I felt joy and love, the back of my throat started to sting, so I raised the white flag.

Kate: Jude, I surrender.

Jude: Huh?

Kate: Please be as gentle as possible.

I touched him with a kiss and put my arms around his neck,

Jude: ……..Ha.

Despite his mean smile, he gently pins me down on the bed.

Jude: Don’t worry, I’ll take good care o’ ya.

In a moonlit room, 

— The day with Jude Jazza isn’t over yet.

[Event Master list] [Next - ⏱♡ 25:00 - Epilogue: His POV]

If you wish to be added to my translations tag list, and are +18 YO, then please comment below! If you wish to be removed, please do the same.

Tag list: @sh0jun @theimaginativelyreticent @sapphire-323 @velisle @nateko @greatwitchsongsinger @injudescoat @aeyumicore @complexivelovely @cosmowgyral @lunaaka @rosalyne08 @8the-perfect-lie8 @voydsoul @goustmilk @kraiyne

[luvsferrariss]

˚⟡˖ ࣪. ʚ 💌 ɞ of shadows and sins - OO1

˖ ݁𖥔 ݁˖ Synopsis: Y/n was handpicked by their boss to help the recruiter find new players. However, it was obvious that the man wouldn’t like the girl assisting him, constantly belittling her and mentioning how weak and unqualified she was for the job. But in reality, he knew about her influence and was afraid of being replaced.

˖ ݁𖥔 ݁˖ The Salesman x Female Reader (British)

˖ ݁𖥔 ݁˖ Warnings: Typical Squid Game elements—blood, weapons, death, etc. Age gap: the reader is between 24-25 years old, while the recruiter is 40. Some angst and feelings of loneliness. The reader lives in Korea but is not Korean; she is British.

˖ ݁𖥔 ݁˖ Author’s Note: Hi loves! I’m making a short series about the salesman. I hope you all like it! English isn’t my first language, so there may be mistakes—sorry about that!

next part here ! 🤍

You sighed as you watched your coworker fail once again. The man he was trying to talk to didn’t care at all and walked right past him. You just sighed, rolled your eyes, and crossed your arms, leaning against the metro wall near the stairs.

The recruiter began walking in your direction with his chin held high, a proud—or perhaps wounded—expression on his face, and you laughed at his frustration.

“What happened, Mr. ‘I-can-do-everything’?” you teased. He simply walked past you, heading up the station stairs.

“Shut up,” he muttered, and you chuckled, following behind.

“Did you manage to do anything at all?” he asked as soon as he noticed you catching up on the stairs.

“While you wasted time talking to one man, I got four. All of them on the verge of bankruptcy—desperation was almost funny, I nearly felt bad for them.” You stuffed your hands into the pockets of your beige trench coat. “With their financial struggles and my pretty face, did you really think they wouldn’t accept?” You smirked, stopping in front of him and framing your face with your hands as if showing off.

He simply walked past you, bumping your shoulder.

“You’re so full of yourself, seriously… What’s even fun about your game? No one actually likes Gonggi that much,” he scoffed.

You just shrugged. “That’s what I was told to do. And your job isn’t that exciting either, right? At least mine is getting results. Yours, on the other hand…” You glanced up at the sky as you stepped out of the train station—it was already nighttime.

“Can you shut up for a single minute? I already have to deal with you all the time. For the love of—just stop talking, girl,” he snapped.

You simply looked at him, already used to his sudden outbursts.

“Oh, baby, don’t be sad. Tomorrow will be your day, and you’ll manage to recruit some people. Besides, aren’t you the boss’s impeccable, invaluable favorite recruiter?” You pouted playfully, stopping in front of him again, this time by your car. You cupped his face in your hands, only for him to push them away and roll his eyes.

“I’m not arguing with a brat… Why don’t you just go back to your family?” he said, setting his black suitcase down and rubbing his chin. “Oh, right. I forgot. You don’t have anyone because no one can stand you. Your parents abandoned you, and your fiancé cheated on you…”

He spoke slowly, and when his gaze met yours, he noticed a brief flicker of vulnerability—but you quickly masked it with a smile.

He almost felt bad for you. Almost. But he didn’t regret saying it, and he would do it again if necessary.

“Whatever. Family is just a burden. I don’t need anyone, and I can live just fine on my own. Besides, maybe you should be worried, huh? The boss would never have sent me to you if he didn’t think you needed help. Maybe he realized just how useless you are.” You winked and got into your car.

As you started the engine and rolled down the window, the man remained standing there, lost in his thoughts, trapped by your words.

“Hey, baby, don’t walk around alone at night. This area is dangerous,” you teased before driving off.

He simply clenched his jaw, a growing resentment bubbling inside him.

He saw you as a threat. You would never take his place.

( . . . )

When you arrived at your apartment, you tossed your keys onto the table and hung your coat in the closet. You placed your shoes inside as well before closing the door.

With a sigh, you headed straight to the bathroom, undressed, and stepped into the hot shower—you really needed this. The water cascaded down your body, relaxing you, and a tired sigh escaped your lips.

Your mother and father would never have been proud of the person you became, but that was their fault. They were the ones who raised you the “right” way. Any mistake was met with punishment.

You became cold, sarcastic, and quiet around others. But no one ever really knew you. No one saw the pain, the fear, or the scars you carried from a disturbing childhood.

You had a slight fear of showing emotions or affection to anyone. There was only one person you had ever felt comfortable with, but even they betrayed you. So now, you truly had no one.

That day in the alley changed your life—but you still wondered if it was for better or worse. Everything felt strange. You felt strange.

Some days, your emotions felt numb. Other days, you just wanted to break down and cry with someone. But everyone you had trusted either betrayed you or left you traumatized. You would never trust anyone again.

Snapping out of your thoughts, you turned off the shower and wrapped yourself in a towel, drying your hair with another. You went to your room, grabbed some pajamas from your closet, and got dressed. After brushing and drying your hair, you applied some perfume and walked into the kitchen to make some tea.

One of the perks of living alone and having no friends was that you could use the guest room however you wanted—so you turned it into a library.

Once your tea was ready, you grabbed a book and headed to the balcony of your penthouse. The cold air brushed against your skin, but somehow, it didn’t bother you.

[finelinevogue]

talk to me

summary - aaron is vulnerable after his family is taken from him, only you are brave enough to confront him

pairing - aaron hotchner x bau-gf!reader

word count - ~1k [very angsty…not my usual happy writing]

“Why hasn’t he killed himself yet?”

The same question ran through your head over and over again, like it was some godforsaken lyric you couldn’t stop repeating.

Only it wasn’t a lyric.

It was something Hotch had said on a case today.

Granted it was about the unsub you were catching, but you couldn’t stop going over and over the double meaning to his words. You couldn’t stop wondering if that was Hotch’s cry for help.

You were currently driving to his apartment.

It was rough for you and Aaron right now.

Aaron getting stabbed was traumatic enough for you, but for Aaron to go through that as well as losing his family and all control? It was devastating.

You and Aaron had been together for over a year, making it work with being in a relationship whilst balancing his role as a dad. Aaron was doing the extreme best he could and you were so proud of him.

But you could see the emotional toll it had taken on him these last few weeks since the incident.

It was so clear that Aaron believed he was a terrible father and he was punishing himself for it.

You were really worried about him. You cared for Aaron a lot and it was heartbreaking to think that he was keeping such self deprecating thoughts to himself. He should know better.

You pulled up outside his apartment and quickly went into his apartment.

It didn’t take long to climb the stairs and reach his door.

You hesitated.

What if you were overthinking? What if he was actually alright and by you confronting him would just plant doubting seeds?

Swearing to yourself, you knocked.

A minute later and Aaron undid the latch and opened up.

“Hey?” He clearly wasn’t expecting you.

“Hey.”

“You coming in?” He opened the door wider.

“You’re not going to ask me why I’m here?” You questioned, crossing your arms over your chest accusatorially.

“Do I need to question why my girlfriend is visiting?” He furrowed his brows.

“You normally would,” You answered, “But you already know why I’m here.”

You pushed past him and walked into his apartment. This conversation was not meant for the listening ears of everyone on Aaron’s apartment floor.

He closed the door with a sigh and clicked the latch again.

Aaron came and stood near you, hands on his hips as he awaited your next move. You could tell by his body language that the direction this conversation was moving in was making him really uncomfortable.

Well that was fine with you.

“So…”

“So what?” Aaron looked down at his shoes before looking back at you.

“We promised never to profile each other.” You said.

“And yet here you are.” He challenged you.

Aaron was getting defensive and you hadn’t even started the conversation yet.

You knew that getting through to him would be hard but you sometimes forget how many solid walls and foundations this man has built around himself. One chisel at a time might not be enough.

“Don’t do this, Aaron.”

“Don’t do what?”

“Push me away!” You shouted, flailing your arms up.

“I’m not…” Aaron looked off to the side.

“Aaron. I know you better than you think I do. Don’t push me away when I’m trying to help.”

“I don’t need your help.” Aaron said bitterly, still not raising his voice. Sometimes his cold shoulder was worse than his angry tone. You’d seen strong-willed men crumble at their knees under Aaron’s glare.

“Stop being so stubborn.” You groaned.

“Well stop profiling me.” Aaron bit back.

“I’m not profiling you, Aaron. I’m simply being a good friend. I’ve noticed that my boyfriend is constantly sad and says things that make me… nervous - that’s not profiling.”

“Stay out of my head.” Aaron warned.

There was no going back from this.

If he broke up with you then so be it, but you weren’t taking any chances. Not when Aaron’s mental or emotional stability was on the line.

“What did you mean today when you said, ‘Why hasn’t he killed himself yet?’ Hmm?” You asked, crossing your arms over your chest.

Aaron shook his head, “I said stay out of my head.”

“Were you asking it about the unsub…”

“Don’t.” Aaron shook his head.

“Or were you asking about yourself?” You questioned the one thing that had been constantly on your mind ever since he’d said it.

“No.” Aaron shook his head, eyes tearing up slightly.

“Aaron, honey, it’s okay to be sad –.”

“I’m not sad, I’m devastated!” He shouted. It took every fibre of it being not to flinch and send the wrong message.

“Honey…”

“No. You want to truth? I’ve questioned what the point is anymore, of course I have. My son has been taken from me in the most cruel way possible and I can’t do a goddamn thing, so I’m sorry if I seem a little more sad than usual.” His words dripped with venom.

His breath was uneven and heavy after he’d finished, almost like he was holding himself back from letting out more.

“Is that it?” You said bravely.

Aaron’s gaze pierced yours. His honey eyes so focused that they had lost their spark.

“What?”

“You want to shout at someone? Then shout at me. You want to make someone cry? Then make it me. You want to punch a wall? I’ll stitch your hand up after. You want to cry? I’ll be here with the tissues.”

Aaron’s body physically deflated as you spoke.

You weren’t done yet though.

“You think that this is a burden you carry alone, Aaron. Well it’s not. Yes it’s your family that Foyet is targeting but you are not the reason that Foyet turned out to be the way he is. You are not solely responsible for his escape or any of his devious plans. So if you want to be devastated, then fine. In fact, I’d welcome you to show your heart on your sleeve for once. But don’t for one second think of doing something stupid. Not when I’m right here.”

Aaron dropped to his knees then head hanging low as his body shook from his tears.

You had hoped it would come to this. Not that you enjoyed seeing Aaron upset, but you appreciated seeing him be vulnerable with you.

It meant that he still felt safe with you.

“I’m sorry.” He kept repeating through his sobs.

You moved quickly to kneel on the ground in front of him, pulling his body into yours so you could hold him tight.

Aaron’s love language was physical touch, so physical touch you would give him. If he thought he was anything less than loved by you then you had failed as a partner.

“You’re okay. I’ve got you. It’s going to be okay.”

You kept reassuring him, keeping your hold tight on him whilst rubbing his back comfortingly.

<.><.>

[bonus]

You stayed on the floor with Aaron for over an hour.

He needed the time to cry and let everything out, whilst knowing he had someone next to him to keep him safe.

You had eventually both made it to bed.

Even though you didn’t have any of your work clothes here and your car was definitely violating parking rights outside, you couldn’t find it in yourself to leave Aaron. You didn’t want to leave him.

He was currently resting his head on your chest as he slept, his body breathing on heavily. You were sat up in his bed, stroking a comforting hand through his hair. His arms were wrapped tightly around you so you couldn’t be taken from him.

It had been a tough day, but you had reminded Aaron that there’s always a reason to keep going at the end of it.

[authorsofghosts]

Sin | Kurt Wagner x Reader

Summery: Kurt likes you. Maybe a little too much. He can't stop thinking about you, and it causes him to get in his head a little too much,

Themes: Angst -> Smut, Mutual Crush, Open Ending, Alcohol/Drinking, Awkwardness, Character Cameo, Flirting, Kurt Has a Beard and Forked Tongue (because fuck you), His face is also skin (not fur), Oral (male receiving), Porn with Plot, Shorter!R (<5'9), R is a mutant/x-man (No Powers Written), Religion Talk.

Word Count: ~1.8k

@sometimescherwrites spare wife? spare wife?

NSFW MDNI 18+ ONLY

Kurt sat there, tail wrapped around his leg, staring at you as he fidgeted with his rosary. You sat across the dining room table, eating and not even aware that his glowing yellow eyes were boring into you. He swallowed hard, looking down at his own plate of food that was left untouched. He looked to his side, being nudged by the elbow of the person next to him.

"Distracted, bub?" Logan snickered slightly.

"No," Kurt lied, grabbing his forking and stabbing it into whatever was on his plate, shaking his head. The spade of his tail taps his calf anxiously. "Was just praying."

Logan shock his head, knowing better, but not prying much further. Kurt stared down at his food to try and focus on that instead of you. He doesn't know what it is about you, but he's absolutely entranced by anything you do. A simple flick of your hair, your laugh, anything.

He sneaks small glances in your direct anytime he'd hear you speak, a smile smile on his blue lips. He didn't dare look at you long enough for you to notice. He didn't know what kept him from his usual confidence with you, but it drove him crazy. He finishes dinner as quick as possible, dismissing himself.

He sneaks into the halls of the mansion, finding himself on his way to his room on autopilot. He puts his hand on his door as he turns the knob, pointed ears perking up as he hears a voice from behind him.

"Kurt? You ask softly, brows knitted together as you looked at someone you thought of as a friend, maybe even just a little bit more. He looks... sad. Not himself.

He turned to you, his eyes wide. He clears his throat, tilting his head just enough for his onyx curls to shift to one side. "Ja?" He whispers, not meaning to.

"Are you... okay?" You ask, taking a few steps closer to him. Your eyes flicked down to his hands as he turned, leaning against the door to his room. "I mean, you were really quiet, you're usually the life of the party."

He swallows hard, his Adam's apple visibly bobbing. He had been stuck in his own head this evening, maybe because of you, maybe because of something else. He wouldn't admit it, however. "Nein, no, I'm uh... I'm fine, liebchen." He laughs out halfheartedly.

You didn't believe him, hearing the waver in his voice that makes it obvious he's lying. "You sure? Do you wanna... talk about anything?" You probe.

Your concern for his well being makes his heart flip, his face reflecting it in the worst way possible. "You know, uh..." He starts, trailing off immediately, tail flicking behind him. "How about we have a discussion, over a glass of wine, perchance?"

Kurt smiled at your sudden tension, putting out his three fingered hand. You looked at him, trying to hold back a smile. You take his hand, your wrist immediately being wrapped around by his tail as his other hand opens his door.

"You have wine?" You ask finally.

"Ah, Charles allows me it for religious purposes. Though, I may abuse this small allowance." He smiles softly, his own cheeks flushed a soft purple.

"I see." You say, looking around his room. It was more... red than you imagined. Of course, that was his favorite color, besides black. He made sure to let everyone know that it was not blue.

Kurt walked over to his desk, pulling out a drawer and pulling out a box. He grabbed two glasses out of it before showing you the bottle of wine. "Does it suffice?" He joked.

"I'm sure it won't kill me." You chuckled, sitting in a comfortable looking arm chair in the corner of his room. He turned on his desk lamp before sitting in the rolling chair, leaning back as he poured the glasses of wine.

"I assure you I'd never poison you, mein Liebe." He chuckled, handing you your glass. You take a slow sip, looking at him as he watches you with a smile.

The short, shallow glass has barely enough wine to cause anyone to get even a little buzzed, but the thought and caring act is still there. "So, are you going to tell me what's wrong?"

Kurt chokes slightly on his wine as he realized he did promise you to talk about what had him in his head. His brain works overtime to try and think of anything but you. He sighed, smiling as he laughs softly, "I guess I may just be a little out of my element. I'm rather, ah, how do you say..." He clicks his tongue in thought, stroking his beard. He looks at you, judging your reaction before he continues. "A little lovesick, I guess."

Your eyes widen, looking at him. You take another sip of the wine, looking down. You knew he could never like you back. It's just a stupid crush anyways, Kurt couldn't like you, so you looked at him with a fake smile. "Lovesick? You?"

"Ah, yes, I am." He says, blushing furiously. "They, uh... they're very nice." He laughs, scooting forward, resting his elbows on his knees as he looked at you. "Funny, cute, powerful..."

The way his eyes are half lidded clues you in in something that makes all your self doubt disappear in moments. "Do I... know them?" You ask softly. He smirks, leaning back again, spreading his legs apart, nodding. "Are they on the team?"

He chuckles softly, setting his half drank glass of wine down. "I think you know them very well, actually." He looked at you, fidgeting with his rosary once again. His thumb rubs the cross as he fights back to urge to bite his lip.

You feel your face heat up, realizing exactly who he's talking about. You take another sip of wine, setting your glass down and sitting up slightly. "Very well you say?" You stammer slightly, looking into his yellow eyes.

"Yes. And I think you know who I'm talking about, don't you, mein Schatz?"

The words send a chill down your spine, and you stand up, making his eyes widen. You can't help but take two steps forward and place your lips again his, hand resting on his chin. It takes but a split second for him to kiss back, forked tongue snaking around yours before you overpower it.

You fall into him, your hands quick to wrap around his shoulders and tangle in his hair, pouring all the pent up feelings into this one moment. You pulling slightly on his hair, making him whine and pull back. "You're very forward."

"Shut up." You murmur against his lips before pressing yours to his again, "You talk too much." You say before biting his bottom lip, pulling it into your mouth before licking and sucking on it. He gasps, a small whimper escaping his throat. "Oh?" You laugh, pressing your forehead to his.

He looks up into your eyes, his own illuminating your flushed cheeks. He blinks a few times before he pulling you down to kiss him again. "Silence." He murmurs, picking you up and laying down on the bed, placing you atop him.

"No, I don't want you to be quiet. And I'm not going to be quiet either." You smile, handing gripping his hair again, pulling and causing him to gasp, a muffled 'Scheiße' falling from his lips as yours fall down to his neck, nipping softly.

You continue to travel down his torso, taking his shirt off somewhere in the process. You trail soft kisses along his fur, looking up at him as he watched you with wide eyes, continuing to whine and whimper with each caress and press of your lips again his body. You palm his bulge, eyes widening at the sheer size. "I see you're ready, huh?"

"Sh-shut up." He whispers, eyes rolling back. He gasps as your hand travels into his pants, "Fuck, please-" He whines out, hips bucking up into your hand.

"Patience, Kurt..." You say, pressing a kiss to his lower stomach, slowly pulling his pant and boxers down. His cock springs out, hitting his abs as he groans. "So pretty." You whisper, your hand wrapping around the blue length, "Such a pretty boy, huh?"

Kurt hisses at the touch and praise, head falling back. You pump his cock, the head turning a slight purple as beads or precum drips from it. You take his tip into your mouth, watching his face intently as you suckle, tongue swirling around it and collecting each pearl of savory salty pre. You pull back, panting, your breath making his dick twitch more. "P-please, don't stop." He stutters, making you smile wider.

"You want me to continue?" You ask. He nods in response, biting his lip as he looks down at you between his legs, the image more than he can handle. He turns his head, putting a hand in front of his face.

"Oh, no you don't. eyes on me, Kurt." You purr softly, licking up his length, kissing softly until he finally can't handle the teasing and looks into your eyes once again. "Good, good boy." You smile, sitting up slightly before pushing a good inch or so of his dick into your mouth.

"Ah- Scheiße, fuck-" He moans out, hips bucking into your mouth, pushing more into your mouth. You don't pull back, however, just pushing his cock head into your throat and opening wider, hallowing your cheeks to fit it. Kurt continues to moan out, almost pathetically, as your lips and mouth travel up and down his shaft.

It twitches as more pearly white precum falls against your tongue. "Ah, Liebchen, fuck-" He groans, getting closer as you push his length down your throat, the sound almost pornographic before you pull his dick out your mouth, pumping slowly.

"You gonna cum for me, huh? You gonna be good and cum in my mouth, right?"

"Y-yes, please, ah... Please, more." He whines out, his hand finding your face, stroking your cheek. You take this as a sign for you to get back to business.

It doesn't take but a few more seconds of your mouth and hands for him to release into your mouth, paint it white. You swallow happily, taking each spurt.

You pull back, climbing on top of him once again and looking down at his pathetically smiling face. "You ready for more?" You ask softly. He answers with a soft nod.

Kurt would be lying if he didn't go to the closest confessional booth the next morning.

[alcalystrasz]

I just made a HUGE discovery for a possible song featured in Stranger Things 5 for BYLER, PLEASE hear me out 😭

This song, is called "Bizarre Love Triangle" and guess when it was released...

In November 1986 (the year and possible month the season is settled). I'M CRYING.

This song, talks about a Love Triangle. It is gender neutral, so we can totally interpret it the way we want, so here's mine:

The love triangle is obviously Mike - Will - Eleven. Now why bizarre? Because it is not two boys in love with the same girl, but one boy and one girl in love with the same boy, and that boy not sure if he likes the girl or the boy...

Let's see the lyrics shall we?

FIRST VERSE:

Every time I think of you

I feel shot right through with a bolt of blue

It's no problem of mine, but it's a problem I find

Livin' a life that I can't leave behind

There's no sense in telling me

The wisdom of the fool won't set you free

But that's the way that it goes and it's what nobody knows

Well, every day my confusion grows

———

Now, let's analyse these lyrics with Will's pov...

Every time I think of you = Mike

I feel shot right through with a bolt of blue = the color of Mike. Every single time he thinks about Mike, it feels like being shot, maybe in the heart.

It's no problem of mine, but it's a problem I find = meaning that for him, it isn't a problem of liking Mike, but it's a problem overall for society or for everyone else (their friends, families...)

Livin' a life that I can't leave behind = he can't forget Mike so he lives the life he's currently living because he can't leave it behind, leave Mike behind. He's too attached to him, to leave him.

There's no sense in telling me

The wisdom of the fool won't set you free = Will is known as the wise one of the group, and also the fool (= doesn't like girls, is childish, is gay). Meaning that his own wisdom won't set Mike free (probably of the fake person he's being, the fake relationship he has with El).

But that's the way that it goes and it's what nobody knows = It's the way things are, Will likes him but Mike is trying to act straight and nobody knows that, nobody knows they're struggling.

Well, every day my confusion grows = this sentence can feel like a response to what Will has "said" before. He says all those things, and Mike answers this. His confusion of liking Will grows every day. He feels confused if he actually likes El or not and if not, if he likes Will.

———

So with this first verse, things are set that Will loves Mike but he's too detached from that, too confused about who he loves and what he should do. Now, let's see the chorus:

CHORUS

Every time I see you falling

I get down on my knees and pray

I'm waiting for that final moment

You say the words that I can't say

———

It seems like the chorus can be perceived as Mike's pov. Let's see how the analysis works out here:

Every time I see you falling = every time Will is on the bottom, like with his feelings, when he feels at the bottom (= sad).

I get down on my knees and pray = can be a reference to the fact that Mike's family are conservatives, and religious. Although we've never seen them pray or anything, they're the cliché of the suburban family with a big house, and this cliché involves being Christian.

I'm waiting for that final moment = the ending of the show?

You say the words that I can't say = the most obvious of them all: we know Mike is unable to say I love you to El, so he's waiting that final moment where Will is going to say I love you to him, because it seems like he's incapable to do it himself. Which means that Mike won't be the one to say I love you first.

———

So this chorus was centered on Mike's feelings and current situation. Now, the second verse.

SECOND VERSE:

I feel fine and I feel good

I'm feeling like I never should

Whenever I get this way, I just don't know what to say

Why can't we be ourselves like we were yesterday?

I'm not sure what this could mean

I don't think you're what you seem

I do admit to myself that if I hurt someone else

Then I'll never see just what we're meant to be

———

This is so Byler coded, and it is again, Mike's pov. So here's my analysis:

I feel fine and I feel good

I'm feeling like I never should = not okay to be feeling that way, this good.

Whenever I get this way, I just don't know what to say = this can have 2 meanings. Either it is about how he's feeling good when he's next to Will and he doesn't even know what to talk about or say because he's flustered. Or, he says he's feeling "good" and he shouldn't be when he's with Eleven, and whenever he gets this way, with El, he doesn't know what to say because he doesn't like her that way.

Why can't we be ourselves like we were yesterday? = About Will: why can't they be friends like before, like what changed? About El: why can't they be strangers/friends like before, why did they have to be together that way? Why did he push himself to in the first place.

I'm not sure what this could mean = About Will: the feelings he has, he's not sure what they are about (= his love feelings towards Will). About El: he's not sure of why he's feeling uncomfortable when he's with her (= platonic feelings towards El).

I don't think you're what you seem = I'm not sure if this could be said by Will or El. It can be, again like some sort of answer, response to what's previously said. So I think it could be El or Will saying to "you" (= Mike) that he's not acting like his usual self, he's different, faking to be perceived as normal (= regarding El, acting straight).

I do admit to myself that if I hurt someone else = back to Mike. Again this can have 2 meanings. For El: admitting that if he hurts her, by using her as a beard. For Will: hurting him by ignoring his feelings, letting him on the side and only concentrating on Eleven, hurting his feelings (platonic like romantic).

Then I'll never see just what we're meant to be = for El: what they're meant to be, so friends. Meaning if he hurts her by not admitting that he doesn't like her, he'll never see her and him as friends. For Will: what they're meant to be is boyfriends. Meaning if he hurts him by not admitting his feelings and ignoring him, he'll never see each other as lovers.

———

We can clearly see how this verse applies to Mike, as how he's confused and trapped between dating a girl he doesn't like and wanting a boy he likes. But it is the 80s, he's scared of what others would think, especially himself. Because of this internalized homophobia he has.

The rest of the song is the chorus repeated four times.

Overall, this song is exactly what Mike feels about Will and about Eleven, about this Bizarre Love Triangle.

If you have other interpretation for that song, please feel free to give it. This was mine, and you may not be agreeing with it entirely, so if you have a different opinion, I'd be glad to read it.

[haikyu-mp4]

Everything will be fine – Akaashi x reader wc 629 – f!reader, brother!Bokuto

Your older brother Bokuto was not disappointed – nor particularly surprised – when you and Akaashi ended up dating in your last year at high school. He was away for university by then and missed the two of you terribly, but at least your togetherness meant he could meet you both at the same time whenever he visited home! That’s double the time spent with both of you!

And when you and Akaashi graduated, you both got into universities in Tokyo, meaning Bokuto’s happiness only increased. Nothing could ever separate you now-

“Me and Keiji both got job offers here in Tokyo!”

For a second, he grinned widely at the great news, his hair pointed sharply to the sky. Then, slowly, he realised he had just accepted an invitation to play for the Black Jackals, who were stationed in Osaka. His hair melted into sadness, along with his whole demeanour.

You felt Akaashi tense beside you, his hand squeezing yours a little tighter while you pursed your lips, having handled this for much longer than your boyfriend.

“But I’ll be working in Osaka,” Bokuto reminded you, his sadness dripping from every syllable.

“It’s not even three hours with the Shinkansen, Bokuto-san,” Akaashi informed him. Naturally, he had made some calculations before giving this news.

Bokuto nodded and gave you a sorrowful smile. The rest of his expression was hardly working with him to convince you that he was okay, but he tried his best. “I just thought you two would both be freelancers and go wherever I go.”

You couldn’t help the small snort of laughter that slipped past your nose, making you lift a hand to try and conceal it. Akaashi smiled and stepped forward when he saw that Bokuto was about to tell you off. “Bokuto-san. I promise to take care of your sister.”

“I know that, Akaashi. But who’s going to take care of me? Who’s going to hold up the posters with my name at every game?”

Akaashi hesitated, looking a bit like a question mark when he answered. “Your other fans?”

Bokuto huffed and pouted. “They don’t count.”

“If I filmed that and posted it, you’d get cancelled so fast,” you mumbled from the side, already fed up with your brother’s nonsense (affectionately).

“You’re not taking my emotions seriously!” Bokuto accused you, which sounded exactly like it did when you were kids.

You stuck your tongue out at him. “Because everything will be fine!”

“It will?” Bokuto’s movements stuttered as he blinked at you owlishly, a nostalgic sense of positivity washing over him.

“Of course it will!” you repeated, voice a little lighter. A little more relaxed, like the words were filling the air and hugging all three of you. “We always work things out.”

Akaashi felt his shoulders lower as he admired you. You were everything he needed to fight his anxiety, and you proved time and time again that you were it for him.

It also seemed to have the same effect on Bokuto, who knew from all the years of sitting on the back of your bike while you gave your all trying to get him home after he scraped his knee, that you would do everything in your power to ensure it would, in fact, be okay.

“I already got us all rail passes for the whole year,” you said happily, shrugging. “Can you start being happy about our awesome jobs now?”

Bokuto used his strong arms to pull you and your boyfriend into a crushing hug, making you both groan despite the warmth in your hearts. “Oh my gosh, congratulations! What are your jobs?”

You nodded your head to gesture for Akaashi to start. “I’ll be an editor for Tenma Udai...”

“The mangaka?! Why didn’t you say that?!”

“…My bad, Bokuto-san.”

masterlist

requested by @nifflermini for my event, anything for you <3

[these-detestable-hands]

It's been a bit since I've interacted with octopath so my stuff on these ships may be a little rusty but I'll argue for them anyway.

Castitio (Castti x Partitio)

Before the game even came out, I thought they'd be a silly couple. Lady who doesn't remember and guy bursting at the seems with kindness. I think they're got a neat dynamic, with Castti teasing him a bit but they get along and are friends. Some post canon hcs I have are that Partitio would help Castti set up an organization that produces medicine and teaches about it cause he loves her and he's got the funding anyway. Also I do think being exposed to the poison rain twice did stuff to Castti so I like to hc she's disabled post canon, being a wheelchair user due to muscle weakness, having very little lung capacity and CPTSD. Also not a disability but she has eczema-like purple splotches on her body. Sorry I needed an excuse to quickly mention my disabled Castti headcanons. While they're engaged, Partitio and Floyd work on completely renovating a house to accommodate all of Castti's needs, so like low counters she can reach while on her wheelchair, only one floor, wide doorways, blackout curtains so she can sleep during the day, etc. Castti keeps insisting that she doesn't need that much help and that she's navigating normal houses just fine but then she'd see all the accommodations in their new house and bawl for hours. She'd work less and take it easy post canon. Listen I just think they'd be a really cute couple. Castti patches up your broken arm then her husband comes in and starts cracking jokes and talking about affordable public transportation. I feel like I'm also forgetting a lot of stuff but oh well. I've got a few fics for them posted on ao3, account name: BigOrangeOnion

Ophikari (Ophilia x Hikari) (I also call them The Radiance (hollow knight reference and it makes sense for an au))

OKAY SO this ship started out as an au when the ot1 travelers were added to ot2 for that update last year. Basically, post canon, Hikari visits the arena whenever he's in Montwise. This time, he goes and there's some omega powerful warriors fighting ruthlessly and with no concern for themselves. He realizes it's because they've got some kinda of curse, similar to him with the shadow (I THINK that's what it was called).

So Hikari starts working on figuring out how to free them because their current existence seems miserable. The first he manages to free is Ophilia, by using light magic near her. The light magic makes her briefly remember who she was but it's enough for her to snap out of the mind control that she's been put under. She talks to Hikari and explains that her and her friends were mind controlled by a very weak but not quite dead Galdera, in attempts to conquer and gain more power so he could heal himself faster. So the two of them start working on freeing the other travelers together.

Along the way, they ofc fall in love. I don't remember an awful lot about them unfortunately but I implore anyone reading this to write stuff for them :]

Here's a little drawing I did of them together. I'd include Castitio drawings if I had any but I am not big on drawing ship art unfortunately.

H'aanit x Cyrus x Castti (in a QPR!!! :3)

So this is probably the one I've explored the least purely because I never really shared it with anyone. I keep it to myself because of the amount of hyper specific and sad headcanons. But basically it was an au where I'd just mix and match travelers n stuff. Like just putting different travelers in different continents with weird team compositions cause I'm a big fan of aus and crossovers.

One of the ones I liked the most is where Castti leaves Solistia by herself to explore post canon because she's not very close with the other travelers and self isolates a little. This au starts out kinda sad cause of the focus on my hcs for various characters' mental illnesses. H'aanit is initially traveling alone but Castti joins her and they're a relatively quiet but very effective and productive duo. Later, Cyrus, Olberic, Primrose and Ophilia join. They all have their problems to work through and get through them together.

Castti has to deal with self worth and realizing that she's more than just the team healer.

H'aanit has always had anxiety around losing Z'aanta, which is really bad throughout the entire story so Castti often ends up calming her down during panic attacks and they get really close because of the mutual trust there.

Idk exactly how to describe Cyrus' problems but he's really jumpy and nervous and a little bit angry all the time because of being accused of, y' know, sleeping with a student. Yeah no I never understood why Cyrus wasn't that angry about it, even when I first played the game at age 10.

I think Cyrus is just dealing with the new found rage he constantly has. He had anger management issues as a kid but worked through them and they're just now coming back cause he's been thrown out of his home and people he used to be friends with think the worst of him and he's got no one but this new friend group he hardly knows. You get it.

The story is the three of them (and Olberic, Ophilia and Prim, but this post is about ships so I'll talk about them another time) as they deal with their mental health issues. Through helping each other with these very personal problems, they become very close and eventually decide to be in a qpr together. I think they'd just live relatively quiet lives in S'warkii cause Cyrus is too upset to return to Atlasdam and Castti isn't too keen on going back to Solistia after falling head over heels in love with two people in Osterra.

I don't remember way too much for this au unfortunately. I think they should all cuddle and finally get a good night's sleep for once cause no way a single one of those bitches sleeps well with the crap they see and have experienced.

Sorry I wrote so much. Here is a little drawing based on an Olberic chapter 2 travel banter and the most important H'aanit fact.

I miss octopath yapping with people so uh yknow what! We’re gonna play a game!!

Explain in the notes what y’all’s favorite ships are and why you like them!!!

Only rules are

1) do not explain why everyone should think your ship is canon, as that is not the point of this post 2) do not put any other ships down bc that is also not the point of this post 3) ALL games are included (yes including cotc) 4) ANY SHIPS ARE ALLOWED!!! GO NUTS!!!!

[bleue-flora]

Sometimes I wonder if we give too much credit to Dream for knowing things he doesn’t. If perhaps we sometimes assume he knows what we know. It’s something I often find frustrating with the takes on Dream being obsessed with Tommy, because a lot of times they require Dream to have this knowledge about things like the intricacies of Tommy’s and Wilbur’s relationship. I think we can forget that while we get to see the moments of them together and their dynamic, Dream isn’t getting that. Dream doesn’t get to see what we see. How much did he know about Tommy’s declining mental health during Exile? Sure Tommy certainly shows it while Dream is there, but Dream tries to cheer him up and perhaps afterwards he goes home and thinks it’s fine. He isn’t there to see the moments when Tommy wakes up in the ocean trying to drown himself. We, the audience, get to see some of these sad monologues that Dream doesn’t. In other words, I wonder how far Dream actually knew he was pushing Tommy towards the edge, if maybe he didn’t know it was to the point of suicide. In the finale, Tommy says something along the lines of ‘why driving me to kill my self makes sense’ with the assumption that that was Dream’s goal, but I hardly think it was.

How about the staged finale, a lot of times it is assumed that Punz and Dream did experiments prior to it as a fail safe in case something happened to Dream. Which isn’t an unreasonable conclusion to make by any means, but it is based on the fact that he assumed Tommy might kill him permanently. And I’m starting to wonder if maybe he didn’t. If maybe just like with the Sam he underestimated people’s loathing for him. Maybe he didn’t think it would go that far. Maybe having the book was his fail safe without even knowing if it works. Maybe just how he underestimated how a majority of new L’manberg was ready to go to war just with him, just how he underestimated Sam’s betrayal, just how he underestimated George’s response to being dethroned, just how he underestimated Sapnap’s response to his speech and Berkerson on the wall, just how he underestimated even Tommy and Tubbo in the finale, he underestimated the staged finale too.

Maybe he isn’t as smart and well planned as we thought. Maybe he doesn’t have the foresight to predict things like we thought. Maybe his plans weren’t as well planned as we thought. Maybe he’s more emotional, more impulsive, more naive than we thought. Maybe every time they went above his expectations of loathing, it shocked and horrified him a little more. Maybe that horror pushed him to make impulsive plans where he thought he considered all the variables but underestimated them yet again. Maybe he didn’t know how much they hate him because he wasn’t there when they talked about him. Maybe he didn’t know how much he hurt them because he wasn’t there when they had to put the pieces back together. Maybe he wasn’t this mastermind but just a guy, grasping at straws, trying to make plans with the incomplete information he has…

[moonmeg]

If I see one more sPiCy book being advertised on my feed...

The more booktok things I see, the more I lose faith in it. At this point it feels like 90% of novels that get written and published are smut with a little plot to it. And don't get me wrong, it's FINE to enjoy smut, it's FINE to write smut with little or no plot, it's FINE to loosen the stigma around smut, it's FINE as long as it's not all over the YA or romance section in book stores. ESPECIALLY YA.

I can read smut, I can enjoy it and I don't mind it if there's one or more chapters where the characters get it on but every book related "tiktok" (I don't have tiktok, but Instagram reels is basically just reposted tiktoks so..) I get is sPiCy and it's just frustrating by now.

Specifically, because as always with popular things, people start going further and into more extremes and then we sit here and need to discuss if dark romance isn't just romantization of abuse. Again, FINE to have fantasies and kinks that go beyond vanilla and FINE to practice that as long as BOTH consent. Although, I must admit, I do think some fantasies should remain just that as they may cross the line into problematic but that's a me thing.

This whole rise of smut brings out so many new authors that in most cases apparently don't care about telling a good story with good writing but simply write smut with such absurd topics because they know it'll find appeal. Someone out there will have fantasies about inanimate objects. I can't blame those authors, sex sells and always has, but for so many synopsis or abstracts I see I just think "I've read AO3 fanfictions more worthy of a book publishment". So, controversial opinion maybe?: Not everyone should be an author and not everything should be a novel.

I know most are self published and by that nothing stops anyone from publishing their story. The argument that opportunities are taken from talented writers is mostly unstable. The bigger issue, I think, is that fanfiction or online authors in general are more self-conscious and hold themselves to higher standards, which doesn't allow them to think their story is worth a hardcover and money.

If you enjoy smut or dark "romance", by all means go ahead and read to your hearts content. This isn't me pointing fingers of judgment at readers or authors. I cover both of those roles myself plenty enough and even extend it by having art depicting sexual activities (except the dark "romance" part). This is just me rambling because in my opinion it's come to a point where it's nothing more than a p*rn addiction. It's almost sad that the amount of new romance novels that don't consist of smut or contain it at all is so small.

[d34dlysinner]

Rejection angst: Andrealphus, Zagan, Foras

Decided to just do these three (since someone gave me these three names to work with so yuh) Andrealphus stood in shock as he let the words that you just spoke sink in. "I... ", he muttered as he started to feel an unfamiliar sadness wash over him. You looked at him in worry as he didn't speak nor react at all. "Andrealphus?", you asked. Your voice ringed in his head. How much he loved to hear your voice. How much he wanted to wake up and come back to that voice that somehow calmed him. "I'm okay.", he said as he gave you a faint smile. "I understand.", he continued. He gave the present he got for you and patted your head as if he wanted to show that he truly was fine. He was fine with your choice. Truly, he wanted you to be happy no matter what. He just hoped it would've been him. He just hoped that it would be you who would like to be a little family with him. He supposed that his dream had to wait a little longer. "I truly wish you happiness.", he said. "Are you fine, Andrealphus-", you wanted to atleast reassure him that he'll be okay, but instead he replied with: "I'm not at this moment... But I'll be okay in the end. I always do." Zagan was speechless. Not that he said much, but this time it truly was him not being able to reply no matter what. He just nodded and handed you the flowers he just bought. Not an emotion on his face present. That's when he opened his mouth and said: "I feel hurt, but... I also know I could never force you to like me when you don't." His deep soft voice broke the silence as you nodded at his words. "I am happy for you. I hope you will be happy for a long time.", he continued. Taking out a few talisman he prepared. "I made these, incase you said, yes. They're just for celebrating, but I do want you to use them with your lover.", he ended his words as he saw no use in keeping those. He bows before guiding you back to the palace where you're safe. Leaving soon after to think by himself. Foras dropped whatever was in his hands. "What?... Who?... How?... When?" He truly wanted to be supportive, but his emotions were taking over. He knows envy too well and at this moment he wanted to do nothing more than just keep you near him to not see your lover again. "Did... I... I'm sorry, I need to go.", he said. He didn't want to show you an ugly side of him. He isn't ashamed of his envy. He never would be, but he didn't want to scare you too. Even now, when he's trying to suppress his emotions, he's still thinking of you. Foras needed to stop himself trying to search whoever it was that managed to capture your heart before he did. He needed time to cry, think, and practice a text so he could talk to you more appropriately. When he talked to you again, three days after the news, he just said what he practiced ending it with: "I... I understand your feelings. Sadly, if I can be honest, I don't think I'll easily be able to get over you... I hope you can forgive me for my actions.", he said as he bowed slightly. You reassured him that you were fine with him. You even expected this sort of reaction from atleast someone in Hades. Foras tried to move away from your touch as you were about to pat him as comfort. But his body couldn't refuse a few more moments with you. "I think you should stop being nice to me for now... I might love you even more and I don't think I'll be able to handle that.", he said as he took a reluctant step back. "I wish you well, MC..."

[your-turn-to-role]

if it helps at all (reblogging directly from you starry bc can't tag you) - as someone who gave up on it pretty early on bc it wasn't really my thing, i have been wanting to look up more positive opinions on the campaign recently, i've just been really busy so haven't had time to respond to anything but what's on my dash, which yeah is a lot of critique, and with what i do know there's definitely stuff i'm not a fan of, sure

but also like. the critical role cast aren't some corporation just trying to squeeze money out of this show, like a lot of the things c3 has been compared to are

while they could have, in retrospect, probably made better decisions to really pull off whatever they were going for, they're also playing the game that makes them happiest (and they're putting it all online for free it's not like they're obligated to follow the fans' ideas of what should happen)

if you enjoyed it all start to finish, you're honestly a perspective i'd like to see round tumblr more! you're seeing what the cast see in this narrative and that definitely doesn't make you wrong or stupid. if there was no value in this story whatsoever they would have stopped a long time ago

as megs said, being able to articulate an opinion well doesn't make it objective truth. god knows i can pull out a million references for any of my essays but when i write them it's always gonna be me shining light on a specific angle of the narrative that appeals to me. other people can choose to pick a different angle and still be just as right, regardless of whether or not it's something i personally would enjoy looking at. and that's even more true in a fandom like this, where every narrative is in fact 7+ narratives that we hope will weave together well, and there's a million things to focus on that haven't all been handpicked by the creators for the sake of telling a singular story

if you're seeing an angle a lot of people aren't focusing on, hell, celebrate that! i love hearing about the moments that genuinely appealed to people, it just feels like there's been fewer and fewer of them focused on bells hells the longer the story went on. but i've also been in fandoms where i truly genuinely enjoyed the ending of a particular story and thought it was well told the whole way through, and then it turned out 99% of the fandom thought the ending was rushed and it ruined the whole thing, so i definitely get how that can feel a bit crushing and like you're fighting a tidal wave

(and hell to your tags about being worried c3 will become an automatic skip in the fandom - i also really love a lot of the c1 episodes before ep24 and think there's some great character stuff there that a lot of people skip bc orion or because the briarwood arc is where it gets 'good', so im with you on that one. it sucks but it doesn't mean i can't talk about, say, trial of the take, there still are and always will be people in the fandom who've watched it, and there will be even more people who didn't watch it but are glad to find out what's in it because they couldn't find out themselves)

so yeah all to say if you ever wanted to write about c3 stuff you loved, im on your side here

if you're just sad that the fandom reaction to stuff you liked has been overwhelmingly negative, that's also fine, and doesn't make you any less a valued member of this fandom

idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry

I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.

There are also a lot of levels of critique—I've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.

First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, which does strengthen his arc in its own right.

This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.

So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.

I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.

Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.

At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so good—and it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.

I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when no developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.

Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.

This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.

And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently right—and in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.

[unknownstwriting]

Religion is bad now, just because???

I find it pretty funny and sad that of the very few people Bells Hell's actually asked and genuinely interacted with about what they should do who had ties to the gods. It was the Mighty Nein and all three of Caduceus, Yasha and Fjord talked about how much they meant to them and helped them.

Caduceus even going so far to say that he asks them to do, "What's kind".

Fast forward to the finale and Laudna is confused and even angry that people are mad at them stating they "saved them". As well as Ashton literally insulting them essentially calling them lazy for "Not wanting to work on themselves" as a person who had barely began to work on themselves.

These people are not kind they're not heroes, they are the villains when all things are considered. I wish the campaign would have highlighted/explored these themes more because right now it just feels like unearned self righteousness with minimal consequences or push-back from the world they just dismantled (for the worse imo but that's for another long form post).

It's hard for me to root and agree with the perspective of a group of people who barely interacted with religion. This should have been a significant element of the plot for the campaign but was somehow rarely engaged with by the party and yet they claim to be the heroes for mortals? So of course it makes sense Laudna is confused, she and frankly the rest of BH are genuinely unaware of what they did or even why they did it, even if conceptually some of them understand it.

It's like watching a child come into a gallery and destroy all the art because of a negligent parent. Then when confronted you're told by that parent "It's okay they don't understand what they're doing, it'll be fine" with no chance for a resolution.

For many of us as longtime viewers, we have a plethora of previous content that has shown religion in Exandria as a generally neutral/if not positive element. So many of us are sort of confused as we're being told actually it's bad and needs to change without really showcasing why and the people who did it just get to live happily ever after.

C3's biggest crime to me was despite focusing on plot so much at the detriment of the characters, we rarely ever explored the dozens of interesting elements that something this big should touch on. In fact many of those elements only got slightly touched on in supplemental content when answering questions outside of the game and the others either were ignored or shrugged off until the very end of the campaign.

I say all of this as a long time atheist too so I don't even particularity have any connection to religion myself. I don't even mind how it all ends up as a concept I just think they never sold to me (and many others it seems) why we should agree or care.

It was an ocean sized plot with the depth of a puddle.

[qoldenskies]

Thinking about Rise Splinter hate… it always makes me kinda sad. Like YEAH, it wasn’t right the way he treated the boys. But like, Rise is really good at expressing subtle familial dynamics, and one of the big ones for me is the fact that like… there’s always an undercurrent of “It’s complicated” to their interaction with Splinter. IRL, it always pisses me off to see people casting judgments on people’s relationships with their family, because you don’t know!! Yeah, they hurt you, but not everything’s black and white. It’s complicated. Because you love them, and sometimes you get to understand a little bit better why things happened as you get older.

In a matter of smaller importance, hate for him loses so many opportunities in his character… even things that might just be kinda off-handedly mentioned.

He fought for SEVEN years—give me Splinter with chronic pain. Splinter relating to his boys with their neurodivergence—it’s HIS fault they have it!!!

That was seven years of imprisonment, or even simpler, an abusive relationship. What did he learn from that? How did he change? What things are skewed in his worldview?

His childhood! We saw his relationship with his grandfather a bit, but how did Splinter grow into his dream of being a movies star? HIM BEING A MOVIE STAR. He was both a rebellious team and a literal celebrity, this guy probably took empyrean at some point without knowing it, just like. Recreationally or something LMAO.

I maybe just need more of his old man knowledge. Him being so loser-core was a great move by the Rise team, and I could SEE where his story was going—ROBBED. We were ROBBED.

splinter hate is CRAAAAZY when he's such an INTERESTING character who does actually have a lot of obvious depth. like he's goofy and he's objectively flawed as a parent but he does go out of his way to improve himself and LEARN throughout the show, and he does listen and apologize when he knows he's messed up. his issues are so similar to leo's actually, leo's a kid so he's got more leeway to be shitty but idk when people act like its endearing on him and not on splinter. splinter's hilarious free my man

on the other side of the coin i dont really like when people make him a perfect loving parent either,,, i think people going for all kinds of interpretations in order to serve whatever story they need is fine but i do prefer kind of messy parent splinter, i think its kind of sad to see him reduced down to bad or good. he LOVES his boys so dearly and he would NEVER intentionally want to hurt them, but he's quick to cast judgement when he's angered/feels disrespected (evil league of mutants comes to mind, but also in turtle dega nights when donnie first stops the tank) and he's really a lot more inattentive than he should be. but there are REASONS behind this, coming out of an abusive relationship, fighting in bloodsports against his consent for years, you could probably count the whole draxum thing as traumatic (its presented as kind of silly in the show, but considering what it lead to,, its a pivotal moment in the backstory. its one of those things that i reasonably feel can be recontextualized because its so essential) and then dealing with crippling body dysmorphia and being forced into the sewers with no company other than his children,, it really adds up

idk like ,,,, you can still be extremely traumatized and be a horrible parent. in fact trauma can be a direct CAUSE of being a bad parent because that kind of thing influences every facet of your life and if youre unprepared emotionally, yeah. but splinter isn't the kind of person to double down and become more overtly nasty when he feels cornered. if he gets the feeling that his kids are actually upset with him, he backtracks. this is actually kind of a key trait of his, that he does try very hard to correct himself when he messes up. he's communicative and apologetic, and he tries very hard to be that way.

and also this is maybe something that i just have a wider problem with when it comes to the way people interpret things in cartoons at times but splinter's actions in eps like lair games (especially in lair games) and flushed but never forgotten are meant to be like. jokes. its absurdist comedy that's meant to catch you off guard. there are more serious emotional beats in rise you can use but i think when youre adapting this world and characters into a more serious tone you have to keep that kind of thing in mind because some things are meant to be surprising and absurd for the sake of making you laugh. i think the best comparison i can think of is how in musical movies they're not actually singing (in most cases, sometimes the fact that they actually are is played for laughs it depends. but yk what i mean). the joke is that this is kind of a shitty thing he's doing but taking the actions themselves seriously in a vacuum in order to cast shame on a character has always been odd to me. that'd be like calling raph abusive for rolling up the window on mikey's neck in late fee. or calling the teetz murderers because they caused a robot mass suicide that one time. it just doesnt make any sense

[realtapiocafan]

My personal timeline of the GQ Bowl!

1. Joe calling Ja'Marr right after the show ended ("where are you"):

2. Joe finally sees Ja'Marr and drops his phone (note that it is in his left hand):

3. Joe and Ja'Marr stare and smile fondly at each other (staring like this 🥹 at each other)

They also probably chat for a while (read: ja'marr yapping as joe continues to nod with that achingly fond gaze, completely locked into ja'marr)

4. But thenJustin suddenly calls Joe and begs him to come to another event ("Joe, please I don't have anyone to go with PLEASE") (you can see that he has switched his phone to the right hand)

Meanwhile Ja'Marr spots someone else he knows and hugs them since Joe is busy calling:

INTERLUDE: Joe tells Ja'Marr about Justin's pleas, but Ja'Marr sadly cannot leave because he just walked the carpet for GQ so now he has to Socialize and thank everyone and take pictures and shit

5. Joe has traveled to Justin's event, and is at first still a little closed off, hands in pockets and all (a little sad about being separated). However! It is Justin. Joe eventually starts smiling bc who can resist smiling in Justin's presence? 😍

5b. Ja'Marr, still at the GQ, is still sulking over being alone, but he does not have a Justin to cheer him up. Therefore all his pictures are with a very straight face and hands in pockets (maybe the first one he's watching joe leave?)

6. (Crossing into pure imagination here)

Ja'Marr calls Joe once the GQ event is done and by then, Joe's social battery is like completely drained. He still tries to say he's fine (bc ofc he does <3) but Justin interrupts to say that Joe's dead tired and would Ja'Marr get his ass over here and pick them up.

So Ja'Marr picks up Joe and Justin (ik he was driving around with a chaffeur to another event -i'll find it if someone asks). And since Ja'Marr probably owns a house since NOLA is his hometown, all three of them go to Ja'Marr's house and crash for the night!

THE END